5,864 Free Images of Art, Design, & Architecture Museum

metropolitan museum of artdepartment of drawings and prints, metropolitan museum of artla vera perfettione del disegno di varie sorte di ricami (1564)woodcutgiuseppe portarogers fund - books and manuscriptsdrawings in musée carnavaletbaroquele vieux paris (françois alexandre pernot)françois alexandre pernot
The True Perfection of the Design of Various Sorts of Embroidery, page 34 (verso), Giuseppe Porta, 1567
la vera perfettione del disegno di varie sorte di ricami (1564)department of drawings and prints, metropolitan museum of art
The True Perfection of the Design of various types of embroidery, page 31 (recto), Giuseppe Porta, 1567
la vera perfettione del disegno di varie sorte di ricami (1564)department of drawings and prints, metropolitan museum of art
The True Perfection of the Design of Various Sorts of Embroidery, page 25 (verso), Giuseppe Porta, 1567
la vera perfettione del disegno di varie sorte di ricami (1564)department of drawings and prints, metropolitan museum of art
The True Perfection of the Design of various types of embroidery, page 35 (recto), Giuseppe Porta, 1567
la vera perfettione del disegno di varie sorte di ricami (1564)department of drawings and prints, metropolitan museum of art
The True Perfection of the Design of Various Sorts of Embroidery, page 36 (verso), Giuseppe Porta, 1567
la vera perfettione del disegno di varie sorte di ricami (1564)department of drawings and prints, metropolitan museum of art
The True Perfection of the Design of various types of embroidery, page 34 (recto), Giuseppe Porta, 1567
la vera perfettione del disegno di varie sorte di ricami (1564)department of drawings and prints, metropolitan museum of art
The True Perfection of the Design of various types of embroidery, page 3 (verso), Giuseppe Porta, 1567
la vera perfettione del disegno di varie sorte di ricami (1564)department of drawings and prints, metropolitan museum of art
The True Perfection of the Design of various types of embroidery, page 3 (recto), Giuseppe Porta, 1567
la vera perfettione del disegno di varie sorte di ricami (1564)department of drawings and prints, metropolitan museum of art
The True Perfection of the Design of Various Sorts of Embroidery, page 31 (verso), Giuseppe Porta, 1567
la vera perfettione del disegno di varie sorte di ricami (1564)department of drawings and prints, metropolitan museum of art
The True Perfection of the Design of Various Sorts of Embroidery, page 29 (verso), Giuseppe Porta, 1567
la vera perfettione del disegno di varie sorte di ricami (1564)department of drawings and prints, metropolitan museum of art
The True Perfection of the Design of various types of embroidery, page 27 (recto), Giuseppe Porta, 1567
la vera perfettione del disegno di varie sorte di ricami (1564)department of drawings and prints, metropolitan museum of art
The True Perfection of the Design of various types of embroidery, page 30 (recto), Giuseppe Porta, 1567
la vera perfettione del disegno di varie sorte di ricami (1564)department of drawings and prints, metropolitan museum of art
The True Perfection of the Design of various types of embroidery, page 36 (recto), Giuseppe Porta, 1567
la vera perfettione del disegno di varie sorte di ricami (1564)department of drawings and prints, metropolitan museum of art
The True Perfection of the Design of various types of embroidery, page 4 (recto), Giuseppe Porta, 1567
la vera perfettione del disegno di varie sorte di ricami (1564)department of drawings and prints, metropolitan museum of art
The True Perfection of the Design of Various Sorts of Embroidery, page 39 (verso), Giuseppe Porta, 1567
la vera perfettione del disegno di varie sorte di ricami (1564)department of drawings and prints, metropolitan museum of art
The True Perfection of the Design of various types of embroidery, page 38 (recto), Giuseppe Porta, 1567
la vera perfettione del disegno di varie sorte di ricami (1564)department of drawings and prints, metropolitan museum of art
The True Perfection of the Design of various types of embroidery, page 40 (recto), Giuseppe Porta, 1567
la vera perfettione del disegno di varie sorte di ricami (1564)department of drawings and prints, metropolitan museum of art
The True Perfection of the Design of Various Sorts of Embroidery, page 27 (verso), Giuseppe Porta, 1567
la vera perfettione del disegno di varie sorte di ricami (1564)department of drawings and prints, metropolitan museum of art
The True Perfection of the Design of various types of embroidery, page 37 (recto), Giuseppe Porta, 1567
la vera perfettione del disegno di varie sorte di ricami (1564)department of drawings and prints, metropolitan museum of art
The True Perfection of the Design of Various Sorts of Embroidery, page 13 (verso), Giuseppe Porta, 1567
la vera perfettione del disegno di varie sorte di ricami (1564)department of drawings and prints, metropolitan museum of art
The True Perfection of the Design of Various Sorts of Embroidery, page 37 (verso), Giuseppe Porta, 1567
la vera perfettione del disegno di varie sorte di ricami (1564)department of drawings and prints, metropolitan museum of art
The True Perfection of the Design of various types of embroidery, page 5 (verso), Giuseppe Porta, 1567
la vera perfettione del disegno di varie sorte di ricami (1564)department of drawings and prints, metropolitan museum of art
The True Perfection of the Design of Various Sorts of Embroidery, page 33 (verso), Giuseppe Porta, 1567
la vera perfettione del disegno di varie sorte di ricami (1564)department of drawings and prints, metropolitan museum of art
The True Perfection of the Design of various types of embroidery, page 4 (verso), Giuseppe Porta, 1567
la vera perfettione del disegno di varie sorte di ricami (1564)department of drawings and prints, metropolitan museum of art
Designs of Braziers whose Ornaments can be Used for Bowls, Tables, and other Goldwork, Plate 1, Alexis I Loir, between 1660 and 1713
pierre mariette iialexis i loir
Designs of Braziers whose Ornaments can be Used for Bowls, Tables, and other Goldwork, Plate 1, Alexis I Loir, between 1660 and 1713
pierre mariette iialexis i loir
Designs of Braziers whose Ornaments can be Used for Bowls, Tables, and other Goldwork, Plate 1, Alexis I Loir, between 1660 and 1713
pierre mariette iialexis i loir
Designs of Braziers whose Ornaments can be Used for Bowls, Tables, and other Goldwork, Plate 1, Alexis I Loir, between 1660 and 1713
pierre mariette iialexis i loir
Designs of Braziers whose Ornaments can be Used for Bowls, Tables, and other Goldwork, Plate 1, Alexis I Loir, between 1660 and 1713
pierre mariette iialexis i loir
Designs of Braziers whose Ornaments can be Used for Bowls, Tables, and other Goldwork, Plate 1, Alexis I Loir, between 1660 and 1713
pierre mariette iialexis i loir
Ballet Costume - *Habit d'Ixion, 18th Century*, Claude Gillot, circa 1721
prints by claude gillotfrançois joullain
1898 Lithograph Hans Müller-Dachau, Günther Wagners Pelikan Farben, Künstler-Wasserfarben, Hans Müller-Dachau
hans müller-dachau1898 lithographs
The True Perfection of the Design of Various Sorts of Embroidery, page 20 (verso), Giuseppe Porta, 1567
la vera perfettione del disegno di varie sorte di ricami (1564)department of drawings and prints, metropolitan museum of art
The True Perfection of the Design of various types of embroidery, page 17 (verso), Giuseppe Porta, 1567
la vera perfettione del disegno di varie sorte di ricami (1564)department of drawings and prints, metropolitan museum of art
The True Perfection of the Design of various types of embroidery, page 6 (recto), Giuseppe Porta, 1567
la vera perfettione del disegno di varie sorte di ricami (1564)department of drawings and prints, metropolitan museum of art
The True Perfection of the Design of Various Sorts of Embroidery, page 26 (verso), Giuseppe Porta, 1567
la vera perfettione del disegno di varie sorte di ricami (1564)department of drawings and prints, metropolitan museum of art
The True Perfection of the Design of Various Sorts of Embroidery, page 30 (verso), Giuseppe Porta, 1567
la vera perfettione del disegno di varie sorte di ricami (1564)department of drawings and prints, metropolitan museum of art
The True Perfection of the Design of various types of embroidery, page 24 (recto), Giuseppe Porta, 1567
la vera perfettione del disegno di varie sorte di ricami (1564)department of drawings and prints, metropolitan museum of art
Ballet Costume - *Habit de Folie, Ballet Pose with Bonnet*, François Joullain, circa 1721
prints by claude gillotfrançois joullain
Wawel miniature model 1905 (1)
art nouveau,young polandwawel acropolis
Wawel miniature model 1905 (4)
art nouveau,young polandwawel acropolis
Wawel miniature model 1905 (3)
art nouveau,young polandwawel acropolis
Wawel miniature model 1905 (2)
art nouveau,young polandwawel acropolis
Architecture antique, CSR AG 142
collections of musée de la vie romantiqueromanticism
Designs for the ends of the ceiling of the Painted Hall (not carried out) RMG L9869, James Thornhill, 1707
prints, drawings and watercolours of the royal museums greenwichbaroque
Iris, Messenger of the Gods, Auguste Rodin, from 1890 until 1891
sculptures in the nasjonalmuseet for kunst, arkitektur og designmodern art,symbolism
Pilier, M.C. 5836
collections of musée cernuschibaroque
Drawing, Ceiling of Cabinet dedicated to Peace, Palazzo Quirinale, Rome, 1812, Felice Giani
drawings by felice giani in the cooper–hewitt, smithsonian design museum - ceilings1812 works
Etude architecturale, CSR AG 146
collections of musée de la vie romantiqueromanticism
Chapiteau de l'abside de Saint-Germain-des-Prés. D.17496
capitals (architecture) in parisdrawings in musée carnavalet
Crace wall decoration - Frederick Smallfield, between 1851 and 1853
victorian architecturejohn gregory crace
Reliquary Tabernacle with the Virgin and Child, Naddo Ceccarelli
medieval art in the walters art museumsienese school
Elevation of the north wall RMG L9870, James Thornhill, 1720
prints, drawings and watercolours of the royal museums greenwichbaroque
Folie Baujon, décoration gothique du cabinet de lecture de Madame Vandenbergh, par Coffinet architecte. G.14501(1), En 1801
les plus belles maisons de paris (krafft & ransonnette)drawings in musée carnavalet
Folie Baujon, décoration gothique du cabinet de lecture de Madame Vandenbergh, par Coffinet architecte. G.14501(2), En 1801
les plus belles maisons de paris (krafft & ransonnette)drawings in musée carnavalet
Later full ceiling design RMG L9638, James Thornhill, 1707
prints, drawings and watercolours of the royal museums greenwichbaroque
Ceiling of the Chapel at Greenwich RMG PW7608, 1735
prints, drawings and watercolours of the royal museums greenwichchapel of st peter and st paul, greenwich hospital (interior)
Ministers, prijsuitreikingen, kunstenaars, Klompe MwMaM, Bestanddeelnr 093-0043
photographs by unknown anefo photographers in amsterdammarga klompé
Costume of an Indian Woman from the Ballet "Triumph of Love" (Habit d'Indienne du balet du Triomphe de l'amour), Juan Dolivar, 1681–92
jacques le pautrejuan dolivar
Porte de l'hôtel des écuries sur la rue Vivienne. D.14421(2), Gilles-Marie Oppenord
drawings in musée carnavaletécuries d'orléans (paris)
Porte de l'hôtel des écuries sur la rue Vivienne. D.14421, Gilles-Marie Oppenord
drawings in musée carnavaletgilles-marie oppenord
Figure studies for the balconies RMG L9700, James Thornhill, 1707
prints, drawings and watercolours of the royal museums greenwichbaroque
Figure studies for the balconies RMG PY3340, James Thornhill, 1707
prints, drawings and watercolours of the royal museums greenwichbaroque
Saint Cecilia, Edward Burne-Jones, circa 1900
stained glass in the princeton university art museumpre-raphaelite brotherhood,symbolism
Paysage et architecture orientale (recto), 93.1.65(1)
collections of musée de la vie romantiqueromanticism
Paysage et architecture orientale (recto), 93.1.65(2)
collections of musée de la vie romantiqueromanticism
Jeantijou, Michael Vandergucht, 1693
1693 drawingsjean tijou
L'Hôtel de Sens, rue du Figuier, en 1833, D.8482, Thomas Shotter Boys, En 1833
historical images of hôtel de sensdrawings in musée carnavalet
Study for "The Martyrdom of Saint Sebastian" (for the Augustinian monastery at Diessen, Germany), Giovanni Battista Tiepolo, 1739
study for "the martyrdom of saint sebastian" (1946.277) by giovanni battista tiepolorococo,baroque
Etude de clocher, CSR AG 118
drawings in the musée de la vie romantiqueromanticism
Elévation du grand portail de Saint-Sulpice. sur les dessins de Mr Servandoni architecte. G.38590
designs for the principal facade of saint-sulpice (paris)prints in musée carnavalet
Elévation du grand portail de Saint-Sulpice. sur les dessins de Mr Servandoni architecte. G.38590(2)
designs for the principal facade of saint-sulpice (paris)prints in musée carnavalet
Designs for the east wall RMG L9641, James Thornhill, 1720
prints, drawings and watercolours of the royal museums greenwichbaroque
Plan de l'église Sainte-Clotilde. D.14500-24, En 1861
ensemble de plans d'églises et temples parisiens (lèbe-sigun)floor plans in musée carnavalet
Plan du temple des Evangéliques de la Rédemptions. D.14500-71, En 1861
ensemble de plans d'églises et temples parisiens (lèbe-sigun)floor plans in musée carnavalet
Plan de l'église Saint-Sulpice. D.14500-20, En 1861
ensemble de plans d'églises et temples parisiens (lèbe-sigun)floor plans in musée carnavalet
Ruines de l'Abbaye de Cluny en 1824, D.6661, François Alexandre Pernot, En 1824
le vieux paris (françois alexandre pernot)drawings in musée carnavalet
Ruines de l'Abbaye de Cluny en 1824, D.6661(2), François Alexandre Pernot, En 1824
le vieux paris (françois alexandre pernot)drawings in musée carnavalet
Plan de l'église Saint-Antoine. D.14500-44, En 1861
ensemble de plans d'églises et temples parisiens (lèbe-sigun)floor plans in musée carnavalet
Les églises Saint-Pierre-aux-Bœufs et Sainte-Marine, D.6560, François Alexandre Pernot
le vieux paris (françois alexandre pernot)drawings in musée carnavalet
Cour de la Sainte Chapelle, D.6510(2), François Alexandre Pernot, En 1837
le vieux paris (françois alexandre pernot)drawings in musée carnavalet
Les églises Saint-Pierre-aux-Bœufs et Sainte-Marine, D.6560(2), François Alexandre Pernot
le vieux paris (françois alexandre pernot)drawings in musée carnavalet
Cour de la Sainte Chapelle, D.6510, François Alexandre Pernot, En 1837
le vieux paris (françois alexandre pernot)drawings in musée carnavalet
Croquis d'architecture, D.6657(2), François Alexandre Pernot, En 1836
le vieux paris (françois alexandre pernot)drawings in musée carnavalet
Croquis d'architecture, D.6657, François Alexandre Pernot, En 1836
le vieux paris (françois alexandre pernot)drawings in musée carnavalet
Catherine II's catafalque by V.Brenna (1796, MetMuseum) 01, Vincenzo Brenna, 1796
russian drawings in the metropolitan museum of artcatherine ii of russia's funerals
Projet de décoration pour la parfumerie Piver, 1900. D.14351(2), Paul-Albert Besnard
drawings in musée carnavaletsymbolism
Projet de décoration pour la parfumerie Piver, 1900. D.14351(3), Paul-Albert Besnard
drawings in musée carnavaletsymbolism
Projet de décoration pour la parfumerie Piver, 1900. D.14351, Paul-Albert Besnard
drawings in musée carnavaletsymbolism
Plan de l'église Notre-Dame d'Auteuil. D.14500-51, En 1861
floor plans in musée carnavaletrealism,barbizon school
Plan du temple de l'Oratoire. D.14500-67, En 1861
ensemble de plans d'églises et temples parisiens (lèbe-sigun)floor plans in musée carnavalet
Plan de l'église Saint-Germain-des-Prés. D.14500-22, En 1861
ensemble de plans d'églises et temples parisiens (lèbe-sigun)floor plans in musée carnavalet
Projet pour les galeries du Palais Royal (nº1) du comte d'Angiviller, vers 1800, D.6903, Louis-Pierre Baltard
unexecuted projects for palais royaldrawings in musée carnavalet
Intérieur de l'église Saint-Germain-l'Auxerrois lors de sa réouverture après l'émeute du 14 février 1831, D.6439(2), François Alexandre Pernot, En 1831
le vieux paris (françois alexandre pernot)drawings in musée carnavalet
Intérieur de l'église Saint-Germain-l'Auxerrois lors de sa réouverture après l'émeute du 14 février 1831, D.6439, François Alexandre Pernot, En 1831
le vieux paris (françois alexandre pernot)drawings in musée carnavalet
Design for the west wall (second project) RMG L9642, James Thornhill, between 1717 and 1718
prints, drawings and watercolours of the royal museums greenwichbaroque
Design for the west wall (first project) RMG L9873, James Thornhill, circa 1708
prints, drawings and watercolours of the royal museums greenwichbaroque
La Seine à Paris vue de l'Institut, PPD1073, Henri Harpignies
collections of the musée des beaux-arts de la ville de parisdrawings by henri harpignies
Petits métiers sur la voie publique, D.3817, between 1843 and 1870
drawings in musée carnavaletfrench school
Scène de bataille, GDUT1841, Stefano della Bella
collections of the musée des beaux-arts de la ville de parisbaroque
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